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Silverman Guitars
Home
My Journey
Builds in Progress
Gallery
Order
About
Contact
Home
My Journey
Builds in Progress
Gallery
Order
About
Contact
Some of the wood for the guitar. Sitka Spruce top and Padauk back and sides, both from the Somogyi wood collection. Cocobolo for the fretboard. View fullsize

Some of the wood for the guitar. Sitka Spruce top and Padauk back and sides, both from the Somogyi wood collection. Cocobolo for the fretboard.

The Padauk sides have grain running at an angle. They are wide enough though to cut out the sides with straight grain. View fullsize

The Padauk sides have grain running at an angle. They are wide enough though to cut out the sides with straight grain.

Trimming the sides. View fullsize

Trimming the sides.

Thicknessing the sides for bending. View fullsize

Thicknessing the sides for bending.

Marking out the sides. View fullsize

Marking out the sides.

Starting the bending by hand. View fullsize

Starting the bending by hand.

The bending is roughed in by hand, and then the sides are put into the bending machine. View fullsize

The bending is roughed in by hand, and then the sides are put into the bending machine.

Sides in the bending machine. View fullsize

Sides in the bending machine.

Double sides bent, and head and tail blocks made. View fullsize

Double sides bent, and head and tail blocks made.

Laminating the double sides. View fullsize

Laminating the double sides.

Scraping the sides clean after laminating. View fullsize

Scraping the sides clean after laminating.

Sides laminated. View fullsize

Sides laminated.

Mahogany strips for the solid lining. View fullsize

Mahogany strips for the solid lining.

These are all bent by hand and then bent in the bending machine. View fullsize

These are all bent by hand and then bent in the bending machine.

Then they are laminated together, with the actual sides inside of the form too, to give them the correct shape. View fullsize

Then they are laminated together, with the actual sides inside of the form too, to give them the correct shape.

Clamping setup for laminating the lining. View fullsize

Clamping setup for laminating the lining.

Solid lining cut out to follow the dome of the top and back. View fullsize

Solid lining cut out to follow the dome of the top and back.

Preparing the Padauk back for joining. View fullsize

Preparing the Padauk back for joining.

Back joined, and index holes drilled. Marking the back. View fullsize

Back joined, and index holes drilled. Marking the back.

The back is roughly cut out. View fullsize

The back is roughly cut out.

Back and sides. View fullsize

Back and sides.

Preparing the Sitka Spruce top for joining. View fullsize

Preparing the Sitka Spruce top for joining.

Top joined, and marked. View fullsize

Top joined, and marked.

Marking the rosette. View fullsize

Marking the rosette.

Rosette marked. View fullsize

Rosette marked.

Top, back, and side. View fullsize

Top, back, and side.

I taped a square template in place, and used a Dremel tool with a .5mm bit to cut most of the way. View fullsize

I taped a square template in place, and used a Dremel tool with a .5mm bit to cut most of the way.

The Dremel will make rounded corners, so for sharp edges it needs to be done by hand. I used a knife and a small chisel. View fullsize

The Dremel will make rounded corners, so for sharp edges it needs to be done by hand. I used a knife and a small chisel.

The first square cut, and ready to fit and inlay the strips. View fullsize

The first square cut, and ready to fit and inlay the strips.

Cocobolo for the squares. View fullsize

Cocobolo for the squares.

4 strips inlaid. View fullsize

4 strips inlaid.

And then trimmed flush. View fullsize

And then trimmed flush.

Second square in the process of being inlaid. View fullsize

Second square in the process of being inlaid.

Square 2. View fullsize

Square 2.

Square 4, with cocobolo. View fullsize

Square 4, with cocobolo.

Square three is inlaid with Padauk. View fullsize

Square three is inlaid with Padauk.

After some cleanup sanding, the rosette is complete. View fullsize

After some cleanup sanding, the rosette is complete.

DSC08634.jpg View fullsize
DSC08635.jpg View fullsize
Some of the wood for the guitar. Sitka Spruce top and Padauk back and sides, both from the Somogyi wood collection. Cocobolo for the fretboard.
The Padauk sides have grain running at an angle. They are wide enough though to cut out the sides with straight grain.
Trimming the sides.
Thicknessing the sides for bending.
Marking out the sides.
Starting the bending by hand.
The bending is roughed in by hand, and then the sides are put into the bending machine.
Sides in the bending machine.
Double sides bent, and head and tail blocks made.
Laminating the double sides.
Scraping the sides clean after laminating.
Sides laminated.
Mahogany strips for the solid lining.
These are all bent by hand and then bent in the bending machine.
Then they are laminated together, with the actual sides inside of the form too, to give them the correct shape.
Clamping setup for laminating the lining.
Solid lining cut out to follow the dome of the top and back.
Preparing the Padauk back for joining.
Back joined, and index holes drilled. Marking the back.
The back is roughly cut out.
Back and sides.
Preparing the Sitka Spruce top for joining.
Top joined, and marked.
Marking the rosette.
Rosette marked.
Top, back, and side.
I taped a square template in place, and used a Dremel tool with a .5mm bit to cut most of the way.
The Dremel will make rounded corners, so for sharp edges it needs to be done by hand. I used a knife and a small chisel.
The first square cut, and ready to fit and inlay the strips.
Cocobolo for the squares.
4 strips inlaid.
And then trimmed flush.
Second square in the process of being inlaid.
Square 2.
Square 4, with cocobolo.
Square three is inlaid with Padauk.
After some cleanup sanding, the rosette is complete.
DSC08634.jpg
DSC08635.jpg

jeff@silvermanguitars.com